"I didn't know Scarlett from a hole in the wall"
February 02, 2010
Can recommend the Faber director series' Woody Allen on Woody Allen as a very good book on writing. I have it in storage somewhere. When I was living in Brick Lane I managed to be drinking coffee when Woody Allen walked past: he was filming something just up round 'corner. Small, walks fast, and he really does wear that hat.Here is Allen in an oldish interview on Vicky Cristina Barcelona. The movie is terrific and cogent (a good Woody) but - surprise! - didn't start that way:
You can read the rest of the interview at Collider.I had the idea about two women going away on a summer thing some place. Someone called from Barcelona and said ‘Would you like to make a picture here? We’ll finance it.’ That’s always the hardest part of making any picture, is getting the financing. Writing it, directing it, or anything else is easier than getting the financing for it, so I said sure, I would do it. I had no idea for anything for it, and then about a week or two later I got a call from Penelope Cruz. I didn’t know her, she wanted to meet, and she was in New York. I had only seen her in ‘Volver’ and nothing else ever. I thought she was great in it, and she said that she knew I was doing a film in Barcelona, and she would like to participate. I started out with Barcelona, with Penelope, and in the back of mind I was going to go to Scarlett. Then I heard Javier [Bardem] was interested, so gradually it took shape. I was writing for these people. I was deliberately writing for these people. I didn’t know Rebecca Hall at all. Juliet Taylor, my casting director, discovered her. She said that she was great, I should read her, and look at some film on her. I did and she was right. I put the thing together for the people almost, as I did it, and did the best I could.
Vicky Cristina Barcelona star Rebecca Hall (pictured, blaming herself for Javier Bardem) is one of the actresses on the cover of the new Vanity Fair. If you're trying to pick her, she's the one with a future.