Ruh-roh!

Patricia Cornwell's Portrait of a Killer: Jack the Ripper - Case Closed (spoiler: Walter Sickert) shows why novelists should not investigate real-life crimes. 

Also best-selling author Michael Connelly's podcast Killer In The Code likewise drives a cracking theory supported by eerie happenstance people believe is more than that. 

Connelly's premise is codebreaker Alex Baber's that the "Black Dahlia" Elizabeth Short's murderer was also the Zodiac Killer. Reporter Larry Harnisch takes the theory apart.

Noticing

Straun Donald on AI writing "tools":
For me the act of making a thing is partly about noticing. If you are taking a photo it is because something has caught your attention, and in order for that to happen you have to be paying attention. Writing is the same. You have to interrogate your thoughts and in the process understand the reasoning or feelings behind them. To do this requires, for me at least, spending time with things and that is one of the things generative AI is designed to reduce.

Know Your Meme: America ending

There's a maxim that all wars are wars of technology. The tech at the forefront of America's civil war in 2026 is cellphones which allow their users to record, to be tracked, to communicate and to distribute propaganda. Democratic Party communications strategist Lis Smith unpacks the Trump regime's shitposting for The Verge:

The meme format is more likely to spread quickly. It’s something that a specific audience is going to understand immediately, and it really simplifies a political argument. The problem with that, though, is, one, it’s very audience specific. Not everyone is going to understand a Family Guy meme, not everyone is going to understand a Patriots meme, or whatever the meme du jour is. 
Another problem with the meme format is that you lose a lot of context and you lose a lot of humanity in it. So when you see the administration posting sort-of-funny memes about deportations or ICE, you lose a lot of the empathy and compassion that most people have when it comes to the immigration debate. Most people think that illegal immigration is bad and that we should do something about it. But most people also understand that there are real people who are involved in all of these situations and don’t think it’s funny to make light of, say, school pickups getting raided, or families getting separated, or parents crying as they’re being dragged away from their kids.

… or being shot in the face or permanently blinded. The Unicode Consortium must be considering emojis for those.

Meaningless chi-chi and a climate

It's difficult to explain how good Mickey Rourke was before his scheduled disassembly commenced circa 1987. His Celebrity Big Brother casting was as redundant as the footage of the wreckage of the OceanGate Titan: the proof of how it ended gives no clue to how the pieces ever fitted together.

Over the New Year, Rourke was evicted from his La Jolla home which of course – of course – once belonged to Raymond Chandler. Between that alcoholic and this one, the house has collected black mould and US$60,000 in back rent.

Chandler famously was suspicious of La Jolla's "meaningless chi-chi and a climate" but promised his wife Cissy Pascal they would move to the coastal town above San Diego when he could afford it. That time came in 1945 after an onerous year of screenwriting for MGM which included $1000 a week to adapt his own novel The Lady In The Lake. (He despised the latter commission and quit after three months.)

Chandler is often quoted as saying La Jolla was "no place to live. There is no one to talk to, just old people and their parents" but conceded to The New York Times that it did have "the finest coastline of the Pacific side of the country, no billboards or concessions or beachfront shacks, an air of cool decency and good manners that is almost startling in California. One may like a free and easy neighbourhood where they smash the empty bottles on the sidewalk. But in practice it's very comfortable."

After Cissy died in 1954 Chandler fell into even heavier drinking. Following blackouts and a shooting incident reported as attempted suicide (he fired a gun into the ceiling) he sobered up long enough to instruct an agent to sell the house to the first bidder.

No one cares about these people now. You can read more in Tom Hiney's Raymond Chandler: A Biography (Chatto & Windus, 1997) and Raymond Chandler Speaking, edited by Dorothy Gardiner and Kathrine Sorley Walker (Hamish Hamilton, 1962).

Charlene

Ashley Judd talks about filming Heat:

'I remember in pre-production, there were these bank robbers, hustlers, formerly convicted people who hung around and who were hired consultants. I assume they were remunerated. They certainly should have been. They were lending their lived experience. And I remember this one in particular — I don't remember his name, but I remember his physique, his physical presence. He was gregarious and friendly. He wasn't overbearing, but he was lively and engaged. He and his cohort were the teachers, discussing the loyalty code within the crew. I remember, and I shared this with Michael [Mann] this morning, him kind of pulling me aside, and I wouldn't use this language today, but he said, "They're sociopaths."'

Tangerine nightmare

Daniel Lopatin's score along with the floating camera is the reason why watching Hidden Gems makes you feel like you're having palpitations. He got his start making music for ads:

"The consulting firm that hired me was always like, 'You're the man, do whatever.' I'd be like, 'Okay, cool.' They'd ask me to be myself. And then the brand would go, 'What is this? This is insane.'"

Baud


I spent Christmas painting a white ceiling white. Often when I'm redecorating I have the preemptive self-critical thought, so this is what I went to art school for. But this year as I was daubing matt white on matt white over white primer, I thought, actually, yes: this really is what I went to art school for.