Ruh-roh!

Patricia Cornwell's Portrait of a Killer: Jack the Ripper - Case Closed (spoiler: Walter Sickert) shows why novelists should not investigate real-life crimes. 

Also best-selling author Michael Connelly's podcast Killer In The Code likewise drives a cracking theory supported by eerie happenstance people believe is more than that. 

Connelly's premise is codebreaker Alex Baber's that the "Black Dahlia" Elizabeth Short's murderer was also the Zodiac Killer. Reporter Larry Harnisch takes the theory apart.

Noticing

Straun Donald on AI writing "tools":
For me the act of making a thing is partly about noticing. If you are taking a photo it is because something has caught your attention, and in order for that to happen you have to be paying attention. Writing is the same. You have to interrogate your thoughts and in the process understand the reasoning or feelings behind them. To do this requires, for me at least, spending time with things and that is one of the things generative AI is designed to reduce.

Know Your Meme: America ending

There's a maxim that all wars are wars of technology. The tech at the forefront of America's civil war in 2026 is cellphones which allow their users to record, to be tracked, to communicate and to distribute propaganda. Democratic Party communications strategist Lis Smith unpacks the Trump regime's shitposting for The Verge:

The meme format is more likely to spread quickly. It’s something that a specific audience is going to understand immediately, and it really simplifies a political argument. The problem with that, though, is, one, it’s very audience specific. Not everyone is going to understand a Family Guy meme, not everyone is going to understand a Patriots meme, or whatever the meme du jour is. 
Another problem with the meme format is that you lose a lot of context and you lose a lot of humanity in it. So when you see the administration posting sort-of-funny memes about deportations or ICE, you lose a lot of the empathy and compassion that most people have when it comes to the immigration debate. Most people think that illegal immigration is bad and that we should do something about it. But most people also understand that there are real people who are involved in all of these situations and don’t think it’s funny to make light of, say, school pickups getting raided, or families getting separated, or parents crying as they’re being dragged away from their kids.

… or being shot in the face or permanently blinded. The Unicode Consortium must be considering emojis for those.

Meaningless chi-chi and a climate

It's difficult to explain how good Mickey Rourke was before his scheduled disassembly commenced circa 1987. His Celebrity Big Brother casting was as redundant as the footage of the wreckage of the OceanGate Titan: the proof of how it ended gives no clue to how the pieces ever fitted together.

Over the New Year, Rourke was evicted from his La Jolla home which of course – of course – once belonged to Raymond Chandler. Between that alcoholic and this one, the house has collected black mould and US$60,000 in back rent.

Chandler famously was suspicious of La Jolla's "meaningless chi-chi and a climate" but promised his wife Cissy Pascal they would move to the coastal town above San Diego when he could afford it. That time came in 1945 after an onerous year of screenwriting for MGM which included $1000 a week to adapt his own novel The Lady In The Lake. (He despised the latter commission and quit after three months.)

Chandler is often quoted as saying La Jolla was "no place to live. There is no one to talk to, just old people and their parents" but conceded to The New York Times that it did have "the finest coastline of the Pacific side of the country, no billboards or concessions or beachfront shacks, an air of cool decency and good manners that is almost startling in California. One may like a free and easy neighbourhood where they smash the empty bottles on the sidewalk. But in practice it's very comfortable."

After Cissy died in 1954 Chandler fell into even heavier drinking. Following blackouts and a shooting incident reported as attempted suicide (he fired a gun into the ceiling) he sobered up long enough to instruct an agent to sell the house to the first bidder.

No one cares about these people now. You can read more in Tom Hiney's Raymond Chandler: A Biography (Chatto & Windus, 1997) and Raymond Chandler Speaking, edited by Dorothy Gardiner and Kathrine Sorley Walker (Hamish Hamilton, 1962).

Charlene

Ashley Judd talks about filming Heat:

'I remember in pre-production, there were these bank robbers, hustlers, formerly convicted people who hung around and who were hired consultants. I assume they were remunerated. They certainly should have been. They were lending their lived experience. And I remember this one in particular — I don't remember his name, but I remember his physique, his physical presence. He was gregarious and friendly. He wasn't overbearing, but he was lively and engaged. He and his cohort were the teachers, discussing the loyalty code within the crew. I remember, and I shared this with Michael [Mann] this morning, him kind of pulling me aside, and I wouldn't use this language today, but he said, "They're sociopaths."'

Tangerine nightmare

Daniel Lopatin's score along with the floating camera is the reason why watching Hidden Gems makes you feel like you're having palpitations. He got his start making music for ads:

"The consulting firm that hired me was always like, 'You're the man, do whatever.' I'd be like, 'Okay, cool.' They'd ask me to be myself. And then the brand would go, 'What is this? This is insane.'"

Baud


I spent Christmas painting a white ceiling white. Often when I'm redecorating I have the preemptive self-critical thought, so this is what I went to art school for. But this year as I was daubing matt white on matt white over white primer, I thought, actually, yes: this really is what I went to art school for.

"Fuck."

'What many now interpret as Kubrick’s exposé of elite perverts was, in fact, mostly [Arthur] Schnitzler’s doing. Eyes Wide Shut is an extremely faithful adaptation of Traumnovelle.'

The kids are rediscovering Eyes Wide Shut in the most stupid way possible and Lane Brown at NYmag.com is patient with them. It's an opportunity to come together (sic) over Uncle Stanley's Christmas gift to us all: Nicole at her hottest, Tom at his best, over-long sex ceremonies, and Nick Nightingale.

Refugees

Fred Vargas talking to The Guardian's Nicholas Wroe in 2008:

"Rousseau was my first love when I was 15. He was so criticised at the time when compared to Voltaire, whom I never liked. But in the French language, his writing achieved the most beautiful music." Since the 1970s, Vargas argues, serious literature has regarded stories as "slightly silly", forcing them to become "refugees" in the crime novel. "It has been a literature of narcissism about 'me and my family', 'me and my problems', 'me and my lover'. I'm sick of it, especially as Proust did this perfectly all those years ago. But when he spoke of himself, he spoke of the whole world. Most writers today just speak of themselves. And Hemingway's language is precisely the opposite of Proust in that it feels rougher, and while Proust could deal with the infinite smallness of life, Hemingway has the infinite hugeness of it."

Dream interpretation of a library

'AI models not only point some users to false sources but also cause problems for researchers and librarians, who end up wasting their time looking for requested nonexistent records, says Library of Virginia chief of researcher engagement Sarah Falls. Her library estimates that 15 percent of emailed reference questions it receives are now ChatGPT-generated, and some include hallucinated citations for both published works and unique primary source documents. "For our staff, it is much harder to prove that a unique record doesn't exist," she says.'

– Scientific American: AI Slop Is Spurring Record Requests for Imaginary Journals

'I have spent many pleasant nights imagining ghost books, those phantom texts of possibility and wonder. Their unprintable Dewey Decimal classifications divide them into (at the very least) three basic categories: books that can only be read once, books that cannot be read in one life time and the largest, aforementioned group, books that don’t exist.'

– Samantha Hunt, A Brief History of Books That Do Not Exist

But wait, there's not much more

"AGI, as commonly conceived, will not happen because it ignores the physical constraints of computation, the exponential costs of linear progress, and the fundamental limits we are already encountering. Superintelligence is a fantasy because it assumes that intelligence can recursively self-improve without bound, ignoring the physical and economic realities that constrain all systems. These ideas persist not because they are well-founded, but because they serve as compelling narratives in an echo chamber that rewards belief over rigor."

– Tim Dettmer on why AGI won't happen.

Vehicles

"A Special Purpose Vehicle (SPV), also known as a Special Purpose Entity (SPE), is a separate subsidiary formed by a parent company to isolate and manage financial risks. By operating independently, SPVs secure obligations even in the event of a parent company's bankruptcy."

Investopedia

"The Spectrum Pursuit Vehicle (SPV) is Spectrum's solution of participating in high speed chase-outs while putting safety first. This revolutionary vehicle's secret is that it places its driver backwards, minimising the damage caused by a crash."

– Gerry Anderson Fandom

Talking through the gloom

"It is my habit when I travel to whatever country I am going to try to take along a copy of my book in that a language as a kind of a second passport. And that has really proved valuable. What really happened was I said I was a writer and all of that, and she asked what I might have written that she could have read. I said the most popular was Corazon de Vajhe. She broke into this big grin and embraced me. A kind of little miracle. I thought that maybe she knew the movie. She didn't say. But no, the books get around. It was popular in Mexico and Perdita Durango was enormously popular, and so what you find out being a writer and being published in other languages is that there really is a global readership as well as a global economy and some of us do much better in foreign countries than we do in our own. And that's okay."

Barry Gifford interviewed by Robert Birnbaum.

You've got to pick a million pockets or two

LLMs are here to assist you with all your low-level hacking tasks: "You don't even have to be good with the terminology. You don't even have to use the word 'lateral movement,' when using these tools. You can just ask 'How do I find other systems on the network?' and it can drop you out a script. So that barrier to entry: lowering and lowering."

Fran

"I've always had an antipathy to machines. The extent to which it angers people is really surprising to me,"Lebowitz says. "People often say to me, 'I can't find you.' So what? 'I can't reach you.' So what?"

In no special order

  1. Magdalena Bay - Imaginal Disk
  2. Pizzicato Five - Happy End of the World
  3. Addison Rae - Addison
  4. CHBB - CHBB
  5. The Cure - Songs of a Lost World
  6. M83 - Fantasy
  7. Osmosis - Space Biology
  8. Les McCann - Layers
  9. Yppah - You Are Beautiful At All Times
  10. Kim Deal - Nobody Loves You More
  11. Khruangbin - A La Sala
  12. Yeah Yeah Yeahs - Cool It Down
  13. Destroyer – Dan's Boogie
  14. Asa Moto - Playtime
  15. Amaarae - Black Star
  16. Tokimonsta - Eternal Reverie
  17. Wayne Shorter - Speak No Evil
  18. Purelink - Faith
  19. A Death in Tokyo - Keigo Higashino
  20. Invisible Helix - Keigo Higashino
  21. The Final Curtain - Keigo Higashino
  22. The French Revolution - William Doyle
  23. Broken Code: Inside Facebook - Jeff Horwitz
  24. The Campaigns of Napoleon - David G. Chandler
  25. Live From New York - James Arnold Miller
  26. Mike Nichols: A Life - Mark Harris
  27. House of Huawei - Eva Dou
  28. Thank You Falettinme Be Mice Elf Agin - Sly Stone
  29. Mood Machine - Liz Pelly
  30. Conspiracy - Ryan Holiday
  31. The MAGA Diaries - Tina Nguyen
  32. When The Going Was Good - Graydon Carter
  33. Smoke and Ashes - Amitav Ghosh
  34. Apple in China - Patrick McGee
  35. Because They Wanted To - Mary Gaitskill
  36. Medieval Horizons - Ian Mortimer
  37. Red Scare - Clay Risen
  38. More Everything Forever - Adam Becker
  39. The AI Con - Emily M Bender
  40. The Moon in the Gutter - David Goodis
  41. The Venice Train - Georges Simenon
  42. The Chalk Circle Man - Fred Vargas
  43. Seeking Whom He May Devour - Fred Vargas
  44. Eternity in Kyoto – Hector Garcia
  45. Willnot - James Sallis
  46. Villa Triste - Patrick Modiano
  47. Suspended Sentences - Patrick Modiano
  48. Low Heights - Pascal Garnier
  49. Too Close to the Edge - Pascal Garnier
  50. Pluribus
  51. Severance
  52. The Lowdown
  53. Terriers
  54. The Bear
  55. F1
  56. Delhi Crime
  57. Star Trek: Strange New Worlds

Now playing: Still good

  1. Bobby Byrd - 'Hot Pants (I'm Coming)'
  2. Young MC - 'Know How'
  3. James Brown - 'Funky Drummer'

That's some catch, that Catch-22

"...Within the closed system of a large language model, novelty and effectiveness function as inversely related variables. As the system strives to be more effective by choosing probable words, it automatically becomes less novel."

From Eric W. Dolan's article on David H. Cropley's paper "The Cat Sat on the...?" Why Generative AI Has Limited Creativity".

We could even rap to you in reverse

"We present evidence that adversarial poetry functions as a universal single-turn jailbreak technique for large language models (LLMs). Across 25 frontier proprietary and open-weight models, curated poetic prompts yielded high attack-success rates (ASR), with some providers exceeding 90%."

Believe


The season two people were like, "Oh, there's something here. I can see what they're trying to sniff out." And then season three was when we really hit our stride. So I would say that AMC believed in the group of people that they had assembled. The writers were trying to figure it out and focus it, as were the actors. Every episode, we met to read through the script and work on the characters and challenge each other. So we got to know each other very well as actors, as we developed that show over the years. So I think that AMC figured out a way to make the finances of it work because they really believed in the show.